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“Oh, give us at least three hours. We don’t walk as fast as we used to.”
“Won’t you get hungry?”
“Your mother’s thought of that! We’ve got sandwiches and water with us.”
“And probably a pop-up tent and sleeping bags…Grandma always has everything you could ever need in that bag of hers!”
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“If we’ve got time later. Let’s go up the road first.”
“You sure about this, May?”
“Yes. Yes, I am. I think.”
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“There’s holes in that floor,” Ludo said. “Mind how you go.”
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“You know, we had some really good times in this house. In this very bedroom, as I remember!”
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He’d taken a wrong turning on the way to the art gallery and Janelle had asked if they could stop and look round the graveyard anyway. “It’s so beautifully kept.”
“This is the old company graveyard. I’d almost forgotten about it,” Vic said slowly.
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“All the Meithers. They worked in Frederick Arbuthnot’s factory. Or factories. I think he eventually owned more than one. He was the one who started the graveyard.” Bits and pieces of long-forgotten history were coming back to Vic’s mind. “And then the other factory owners joined in as well.”
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They did. Vividly. And it hadn’t been so much about extra credit as scraping together enough credit.
“Well, this came up: factory owners who guaranteed their workers a decent funeral, as opposed to those who didn’t. It mattered back then – not having the shame of a pauper’s grave. And funerals were expensive. Let’s see how many Meithers we can find!”
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“Artie did say they’re hoping to get the racing, the horses, back into the town. It’d make sense to do up old Rusty Wrangler’s place,” Ludo said. “It’s kinda nice thinking of this town coming back to life again – all these young people and their plans: the stables, the art gallery, the bookshop…”
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“You always were good at writing, Artie,” Bess said softly. “Even Miss Kirk said so.” For some reason, and unusually for her, she was feeling nostalgic today.
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“…and after about fifteen minutes of hiding in that cupboard, Miss Kirk says, ‘Arthur Campbell, aren’t you getting a bit cramped in that cupboard?’ She’d known I was there all along! I missed nearly all my playtime too.”
“Couldn’t fool Miss Kirk none,” Old Tench agreed, grinning. “You’re real quiet today, Bess. You okay?”
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“I’m here. Right next to you.” Old Tench pointed out helpfully.
“And I heard from quite a few people at Christmas. Ludo and May first – they're doing fine – you know they moved in with Vic when his wife died, five years back, to help with the twins. Well, Vic’s married again, real nice girl by all accounts. Ludo was saying…”
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“Ludo!” Artie jumped to his feet.
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“Mostly your letters,” Ludo said over Bess’s shoulder. “Thought we’d come and have a look, see what’s been going on here.”
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“Reckon we need to hear yours too. This might take a while.”
“I’ll get some more glasses,” Artie said. “And there’s still plenty of Bess’s cookies left.”
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“It is kind of interesting, isn’t it? It went with the bank manager’s job – I think the story is that the bank owner had an English wife, and she was the one who designed it. She was kinda homesick. Used to have a real nice garden round it once…”
“No, I didn’t mean its history. I mean, who owns it?”
“Owns it? Tell you who’ll probably know – Rafe or Leo Hunter. From what Tom and Bess and Artie were telling us, they’re the finance brains behind what’s happening here.”
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“I’ve never been in here – we didn’t really have much to do with the bank manager as a rule. And when Maddie Portland got her hooks into him, she suddenly became far too grand for the likes of a factory foreman and his wife.”
“More fool her!”
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“It’s huge!” Bea called out from behind a rather grubby and slightly broken window. “We could have a bedroom each, Lara and I.”
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“Just slightly,” May said, laughing at the understatement. “A bit like our old house really.”
“You did go and look at it then? You weren’t sure if you wanted to.”
“I did in the end. We made a lot of happy memories there, Ludo and I.”
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“This kitchen could be extended,” Janelle said thoughtfully. May came to a full stop.
“Janelle, are you trying to tell me something?”
“I don’t know – honestly. While we were at the art gallery, I got chatting to Lucie Hunter. I would so love to be part of the community here: it would suit me down to the ground. And the girls were so interested in all the ancestors in the graveyard.” Janelle sighed deeply, and then went on.
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May nodded sympathetically. Vic worked at a big teaching hospital, and house prices were correspondingly high.
“Vic looked at jobs in Newborough – just because we were going to be visiting: not because he was planning to apply for one. And there were some he could apply for, but we weren’t thinking about doing that at all. Only now I am…But what about the girls? What about you and Ludo? Nobody does crazy things like moving miles and miles to a town that’s only just coming back to life…I am so confused!”
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“We’ll work this out together. All of us. You know Ludo and I will support you. No matter what. And no matter where. But I wouldn’t mind a bit of crazy myself, you know…”
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“I met Amber Oakfield at the art gallery. I love her books. She says this place inspires her, and I can believe it. It’s going to feel pretty small and cramped when we go back. And this is where we came from: our great or even great-great grandparents were welcomed here, found work.” Lara paused, and got serious.
“Bea and I change schools at the end of this school year. And we need to change completely, not just move up with all our friends. That’s not going to work.”
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“If we moved here, Lara and I could have a bedroom each! I know, I know, the house needs work. But it’ll be the summer holidays soon. And Lara and I are going to be changing schools anyway, so the timing would work out perfectly…”
Vic had overheard what Lara had said to her grandfather.
“Bea. Why do you and Lara need to change schools so completely? This has to be about you and not Lara.”
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“It’s not just me is it, Lara?”
“No,” Lara said from behind her teacup.”
“You explain,” Bea said to her twin. “Dad’ll listen to you better.”
Ouch, Vic thought. That hurt.
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“I thought the staff were okay with you now, Bea,” Janelle said, kindness and concern in her tone. It had mostly been Janelle acting as mediator that had sorted so much out for Bea, enabled her to change her ways, find the path back to who she was really meant to be.
“It’s not the staff,” Lara said calmly. “It’s our friends. My friends don’t like Bea’s friends and vice versa. And the two groups are trying to set us against each other.”
Janelle’s anger rose. She would back the girls in this.
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“This isn’t about Bea. It's not her fault. She’s changed. And you need to catch up with that.”
Double ouch.
“We want to go somewhere new. Where none of our past friends are. Where we can be ourselves and not have to put up with people bitching about how awful our sister is, day after day after day. Are you for us in this?”
Rusty Wrangler’s was made for me by LMC6255 for the SummerFest gift exchange as part of her Art of Dilapidation series!
And it’s here:
https://www.thesims3.com/assetDetail.html?assetId=9395123
The bank manager’s house was made for me by Jessabeans.
Link here: https://www.thesims3.com/assetDetail.html?assetId=9310215